Dirty Water Club #850: The Ghost Wolves and Lil' Lost Lou, Reino Unido, Quinta, 01. Março 2018

The Ghost Wolves &
Lil' Lost Lou


Carley Wolf grew up with a pack of large white wolf-hybrid dogs on her family's Texas hill country ranch. When she met Jonny Wolf in 2011 and they started making music together, they named their band The Ghost Wolves as a way of memorializing the beloved animals from her family who had died.

Blurring the lines between blues, rock n' roll, noise, punk and early American music, the duo has earned an international reputation as a must-see live act, with nearly 1000 shows between them in 23+ countries including most of western Europe, The USA, Scandinavia, the U.K., and Japan.

Their music has been featured in film and TV by Netflix, HBO, Showtime and other major networks, and they currently have a line of apparel in 40+ stores throughout Asia via a collaboration with fashion label Hysteric Glamour. Their full length album, TEXA$ PLATINUM, was released in 2017 by Berlin based Hound Gawd! Records. They are currently recording a new LP with producer Rob Fraboni (The Rolling Stones, Bob Dylan, The Last Waltz).


London-based country/rockabilly songwriter Lou Psyche alias Lil’ Lost Lou here presents her debut solo album. Not one to do things by halves, she travelled alone to Nashville to work with revered producer, songwriter and musician Billy Livsey, a man with the likes of Ronnie Lane, Kenny Rogers, Travis Tritt, George Strait and Tanya Tucker on his CV.

Setting up in the analogue Welcome To 1979 Studios (housed in a former Motown, Chess and RCA pressing plant), Livsey corralled the cream of Music City session men, including bassist Dave Roe (Johnny Cash, Chet Atkins, Sturgill Simpson); pedal-steel player Russ Pahl (Glen Campbell, Patty Loveless, Kacey Musgraves); guitarist Stuart Mathis (Chris Isaak, Lucinda Williams), and drummer Justin Amaral (Junior Brown, Tommy Womack).

Let’s let Lou tell the story.... “This Nashville LP was about finishing a journey. It’s a bit more slick than my London skiffle punk/country band, but It’s still pretty raw and I think it has a great cross-cultural sound going on . I’m still so excited that these amazing guys wanted to collaborate on it.

“The last song on the album, ‘Song for Bob Dylan’, I wrote 20 years ago in New York just before my dad died. I’d heard a poem by Dylan called ‘Last Thoughts On Woody Guthrie’, which said, ‘If it’s hope that you’re seeking …you’ll find it at the Grand Canyon at sundown”. Last year I finally flew back out to the USA to see the Grand Canyon. I watched the sun go down, then caught a train across America. 32 hours later I arrived in Nashville, Tennessee where I recorded that same song about the Grand Canyon that I wrote 20 years beforehand. In 12 hours we had recorded a whole album.”

Once Lou was back in the UK, finishing touches were applied to the album with the help of Kent-based producer Sean Kenny.

Born and raised in Camden Town, Lou has shared stages with the likes of Wanda Jackson, Billy Childish, Pete Doherty,Wilko Johnson, The Urban Voodoo Machine and Fat White Family. She was taught guitar by John Etheridge of Soft Machine, plays an Epiphone Casino, and sang ‘Don’t Bogart That Joint’ over the closing credits of the 2010 film Mr Nice.

“Of all the women haunting the secret smog filled outsider art scene in London , Lou is by far the sassiest and dirtiest of them all. A princess of a weird dark country/punk night life.” AAAmusic.com

Dirty Water Club #850: The Ghost Wolves and Lil' Lost Lou

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